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Rosa Luxemburg is Margarethe von Trotta’s remarkable biopic of one of the most fascinating figures in modern European political history. Having fought for women’s rights and to revolutionise the state in early 20th century Poland and Germany, the Marxist revolutionary Luxemburg (1871-1919) formed the famous Spartacist League, later the Communist Party of Germany before, after a failed uprising, she was murdered in Berlin aged 47.
The film traces Luxemburg’s political and moral development from journalist and author to dissenter from the party line and imprisoned pacifist. Portrayed masterfully by von Trotta regular Barbara Sukowa (also known from Rainer Werner Fassbinder’s Lola), Luxemburg’s character comes alive on screen with more realistic depth and complexity than her public image as a militant revolutionary might lead us believe.
Initially intended to be directed by Fassbinder, von Trotta became obsessed with Luxemburg’s character after his death in 1982. After researching over 2,500 of Luxemburg’s writings and speeches, she completely rewrote the original script and it shows – the final film feels stunningly authentic, her own vision from beginning to end.
Part of The Personal Is Political: The Films of Margarethe von Trotta. The first female director to win the Golden Lion at Venice Film Festival, Margarethe von Trotta (1942-) is to thank for some of the most trailblazing films of the past five decades. Often hailed as the world’s leading feminist filmmaker, von Trotta has never shied away from topics that resonate with contemporary lives and prompt revolutionary discussions.
The Personal is Political is a touring programme delivered by the ICO with the support of the BFI, awarding funds from The National Lottery.
This screening will feature an introduction by Rona Murray, a film lecturer and freelance media educator who works on women's authorship in film and television. She is a member of the steering committee for the Women's Film and Television History Network (UK/Ireland).
The German Sisters is justly considered one of the classics of New German Cinema, telling a prescient and intimate story of Germany. Based on the real life story of the Enslein sisters, this is the purest expression of Margarethe Von Trotta’s combination of the personal and the political.
Margarethe von Trotta’s solo directorial debut and the film that marked her out as one of the key women writer-directors of the New German Cinema movement, The Second Awakening of Christa Klages is an acutely observed reflection of her favourite theme: the powerful and often mysterious psychic bond among women.
A key film of the New German Cinema, The Lost Honor of Katharina Blum tells a profoundly political story set against a climate of fear and paranoia.