“To me, the world is a mystery.” South Korean filmmaker Lee Chang-dong’s follow-up to 2010’s Poetry is a masterwork; a sublime mystery thriller of obsessive love based on Haruki Murakami’s short story ‘Barn Burning’.
An isolated young man, Jong-soo (Yoo Ah-in) is living in Seoul, working in a menial job and dreaming of becoming a writer when he’s accosted by Hae-mi (Jeon Jong-seo), who says she remembers him from their childhood in a small village close to the North Korean border. Asking him for a favour, they quickly begin a relationship, but then she goes on a trip and when she returns, is accompanied by the wealthy, urbane Ben (Steven Yeun) – with whom she is apparently in a relationship, and who eventually confides in Jong-soo about his very strange hobby.
Lee fleshes out Murakami’s slender short story to create a mysterious world of immense power; and his epic, slow-burning film immerses the viewer in the world of his characters whilst exploring male rage, class conflict and working-class struggles, as well as unrequited love and the nature of obsession. It’s almost miraculously well-crafted, from Hong Kyung-pyo’s precision cinematography to Kim Da-won’s stunning, illuminating score to the incredibly vivid and thorough performances of its three leads.
“This is the most absorbing movie I've seen this year, as well as the most layered and enigmatic.” – JUSTIN CHANG, LOS ANGELES TIMES
A cast of relative unknowns, a brilliantly disguised low budget and an epic, 37-minute opening single take makes Shin'ichirô Ueda’s feature debut a bright, breezy and laugh-out-loud hilarious zombie comedy.
How far would you go for love? Tsuchida (Asami Usuda) makes what she considers to be necessary sacrifices for her boyfriend Seiichi (Taiga) – an unemployed musician with big dreams of creative recognition – by working at a host club in order to pay for their living expenses.