Showing: 10 March 2026 until 24 March 2026
Between 10 March and 24 March 2026, QFT will be partnering with the School of Natural and Built Environment to showcase the work of Cinematic Architecture researchers Alice Poole and Ece Sila Bora as they map and analyse film locations in Belfast and Dublin.
Walled Cities celebrates the interconnection between cinema and architecture in post conflict and divided cities across the world. The work this year will focus on film locations within Dublin and Belfast and how the socio-political-economic factors change the way we see lived experience on our screens for both cities.
The exhibition opens at QFT on the evening of 10 March 2026 with opening speeches and the screening and discussion of the first film of Walled Cities: King Frankie.
Exploring Dublin film locations:
Alice Poole, Cinematic Architecture PhD Researcher
Supervisors:
Dr Gul Kacmaz Erk, Lead for Architecture and Planning at Queen’s University Belfast
Dr Ellen Rowley, Asst. Professor Modern Irish Architecture at University College Dublin
Joan Parsons, Head of Culture and Arts at Queen's University Belfast
Exploring Belfast film locations:
Dr Ece Sila Bora, Cinematic Architecture PhD Researcher
Supervisors:
Dr Gul Kacmaz Erk, Lead for Architecture and Planning at Queen’s University Belfast
Dr Paul Ell, Senior Research Fellow at School of Natural and Built Environment at Queen’s University Belfast
Joan Parsons, Head of Culture and Arts at Queen's University Belfast
Screening as part of Walled Cities 8, King Frankie tells the story of Frankie Burke (Peter Coonan), a kindly taxi driver living a quiet life in a Dublin suburb, who is forced to confront the ghosts of his past when an unexpected stranger arrives at his door.
A young girl, her baby sister and their neighbour make their way to Türkiye to escape from the war in Syria in Andaç Haznedaroglu's affecting drama, screening as part of Walled Cities 8.
Screening as part of Walled Cities 8, The Wall is director David Kinsella's story of how his childhood in Belfast compared with his documentary work for the North Korean government.