Baby Pictures: Maria

BBFC RatingBaby Pictures: Maria

Showing: 10 January 2025

Show Times

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Fri 10 Jan 2025

CertificateNot Rated
Year2024
GenreDrama
Director(s)Pablo Larraín
Writer(s)Steven Knight
LanguageEnglish
CountryItaly, Germany, Chile, USA
Running Time2HR 4MINS
SeasonBaby Pictures
Audio AccessibleClosed Captioning This screening will feature descriptive subtitles

Baby Pictures is our regular Friday morning film slot exclusively for carers with little ones aged twelve months and under. This week Angelina Jolie shines as legendary opera singer Maria Callas.

In poor health, Callas (Jolie) wanders around a picturesque Paris as she recounts to an adoring journalist the highs of her career and litany of past loves.

Jolie's performance captures the myriad layers and masks of this legendary singer’s personality, from pithy to heartbreakingly vulnerable, while showing flashes of the personality that saw her idolised as an opera star.

Featuring a stellar cast that includes Valeria Golino, Pierfrancesco Favino and Alba Rohrwacher, Maria is a stunning addition to Pablo Larraín’s portraits of iconic women subjected to an alarming degree of scrutiny, while the world looked on.

Baby Pictures 

Baby Pictures is open to carers and little ones of twelve months and under. As everyone in the cinema is a parent or carer, there’s no need to worry if it gets a little noisy. Everyone understands. Customers not accompanying a baby will be turned away.

The lights are turned up a little bit and the sound is a little softer to create a peaceful environment for you and the baby. It’s just for carers (Mum, Dad, Granny, Granda, whoever it is it looking after the tot) and babies. Up to two adults can come with a babyPlease note: we cannot allow babies over the age of 12 months to come to Baby Pictures.  

If you have any questions about Baby Pictures, please get in touch on qftmanager@qub.ac.uk.

Baby Pictures is supported by Film Hub NI.

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Maria

Angelina Jolie shines as legendary opera singer Maria Callas in Pablo Larraín’s (Spencer) empathetic reimagining of her final days in 1970s Paris.

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