This is a past event
Dawson City: Frozen Time, a feature length film by Bill Morrison, pieces together the bizarre true history of a collection of 533 films dating from the 1910s to 1920s, which were lost for over 50 years until being discovered buried in a sub-arctic swimming pool deep in the Yukon Territory.
Using these permafrost protected, rare silent films and newsreels, archival footage, interviews and historical photographs to tell the story, and accompanied by an enigmatic score by Sigur Rós collaborator and composer Alex Somers (Captain Fantastic), Dawson City: Frozen Time depicts a unique history of a Canadian gold rush town by chronicling the life cycle of a singular film collection through its exile, burial, rediscovery, and salvation – and through that collection, how a First Nation hunting camp was transformed and displaced.
Dawson City, located about 350 miles south of the Arctic Circle, is situated at the confluence of the Klondike and Yukon rivers and rests on a bed of permafrost. The town was settled in 1896 – the same year large-scale cinema projectors were invented – and it became the centre of the Klondike Goldrush that brought 100,000 prospectors to the area. The Dawson Amateur Athletic Association (DAAA) opened in 1902 and began showing films and soon, the city became the final stop for a distribution chain that sent prints and newsreels to the Yukon. The films were seldom, if ever, returned.
By the late 1920s, 500,000 feet of film – 500 films – had accumulated in the basement of the local Library, under the care of the Canadian Bank of Commerce. In 1929, Clifford Thomson, bank employee and treasurer of the local hockey association, moved the films to the town’s hockey rink, stacked and covered them with boards and a layer of earth. The now famous Dawson City Collection was uncovered in 1978 when a new recreation centre was being built and a bulldozer working its way through a parking lot dug up a horde of film cans.
"The true magic that "Dawson City" captures is, simply, the mystery of film itself: a medium that turned people into shadows that burned brighter than life." - VARIETY