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Wong Kar Wai’s breakthrough feature represents the first full flowering of his swooning signature style.
The first film in a loosely connected, ongoing cycle that includes In the Mood for Love and 2046, this ravishing existential reverie is a dreamlike drift through the Hong Kong of the 1960s in which a band of wayward twenty-somethings—including a disaffected playboy (Leslie Cheung) searching for his birth mother, a lovelorn woman (Maggie Cheung) hopelessly enamoured with him, and a policeman (Andy Lau) caught in the middle of their turbulent relationship—pull together and push apart in a cycle of frustrated desire.
The director’s inaugural collaboration with both cinematographer Christopher Doyle, who lends the film its gorgeously gauzy, hallucinatory texture, and actor Tony Leung, who appears briefly in a tantalising teaser for a never-realized sequel, Days of Being Wild is an exhilarating first expression of Wong’s trademark themes of time, longing, dislocation, and the restless search for human connection.
This 4K digital restoration was undertaken from the 35mm original camera negative by the Criterion Collection in collaboration with L’Immagine Ritrovata and One Cool.
Belfast International Arts Festival return for their 59th edition from 6 October to 7 November with an extensive programme that gives audiences opportunities to both experience live performances again whilst also enjoying a selection of online events at home!
We're delighted to swing open the cinema door once more. You might like to read more about the measures we're taking to reduce the risk from COVID-19, including allocated seating. Find out more here. If you have any questions, we've got a new range of FAQs here, and you can email us on qftmanager@qub.ac.uk.
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