Wong Kar Wai’s loose sequel to In the Mood for Love combines that film’s languorous air of romantic longing with a dizzying time-hopping structure and avant-sci-fi twist.
Accused of a crime he didn’t commit, Coleman Sharkey (Dónall Ó Héalai) has to abandon his family and flee to a remote island. When the famine engulfs his community and takes his wife and child, he is left with nothing but a solitary life.
Hong Kong, 1962: Chow Mo-wan (Tony Leung) and Su Li-zhen (Maggie Cheung) move into neighbouring apartments on the same day. Their encounters are formal and polite—until a discovery about their spouses creates an intimate bond between them.
From the visionary mind of Academy Award nominee Wes Anderson, The French Dispatch brings to life a collection of stories from the final issue of an American magazine published in a fictional 20th-century French city.
QFT presents the debut Irish exhibition of TOKYO JAZZ JOINTS, an ongoing photographic project, created by photographer Philip Arneill and broadcaster James Catchpole, which since 2015 has documented a hidden, rapidly vanishing musical subculture.