It echoes Garrone’s 2008 breakout feature Gomorrah, which painted a nihilistic, hyper-masculine view of fringe Italian society and criminal life; and in Dogman the scene is again set in an urban wilderness: all concrete and empty playgrounds. Marcello does his job diligently while trying to be a good father to his devoted young daughter. But he also has a sideline in dealing cocaine; and once he makes the mistake of supplying poisonous local bully Simone (Edoardo Pesce), finds himself trapped in a perilous relationship and led towards further, more serious criminality.

Visceral and thrillingly stylish, Dogman is imbued with intelligence and moral force and benefits greatly from Fonte’s performance, which deservedly won him Best Actor at Cannes (and where, in addition, the film also took home the coveted Palm Dog).