Accused of a crime he didn’t commit, Coleman Sharkey (Dónall Ó Héalai) has to abandon his family and flee to a remote island. When the famine engulfs his community and takes his wife and child, he is left with nothing but a solitary life.

Lost souls reach out for human connection amidst the glimmering night world of Hong Kong in Wong Kar Wai’s hallucinatory, neon-soaked nocturne.

From the visionary mind of Academy Award nominee Wes Anderson, The French Dispatch brings to life a collection of stories from the final issue of an American magazine published in a fictional 20th-century French city.

Like In the Mood for Love, The Hand is set in the hazy Hong Kong of the 1960s, but its characters couldn’t be more different from the earlier film’s restrained, haunted lovers.

QFT presents the debut Irish exhibition of TOKYO JAZZ JOINTS, an ongoing photographic project, created by photographer Philip Arneill and broadcaster James Catchpole, which since 2015 has documented a hidden, rapidly vanishing musical subculture.